Quintessential style – Quiet Elegance – Quality Grace: all words that aptly describe Toronto-born photographer Nathaniel Anderson. A renaissance man, Nathaniel has always been fascinated with images and great design. “Photography allows me to communicate my inner most thoughts,” says Nathaniel. He views photography as an expressionistic tool that he deems ‘therapeutic,’ – an opportunity to release and “articulate those things that I haven’t been able to vocalize.”
His innovative approach to creating powerful visual narratives has been recognized across sectors. Photography is his passport to the world – Africa, Switzerland, England, Netherlands, Mexico, Jamaica, and St. Kitts – this daring visionary approaches each venture with a creative quirkiness and sophisticated style. As such, Anderson has developed an impressive and diverse portfolio. Whether raising the standards of portraiture for magazines such as Hotelier, capturing breathtaking global images for travel publications like En Route Magazine, raising the profile of Goodwill and other charities or exhibiting his modern bamboo series; Nathaniel’s work consistently transcends convention. Anderson is especially recognized for his mastery of light and grasp of visual dualisms. He constantly seeks to deconstruct and expand notions of beauty while developing a neoteric aesthetic.
The underpinning of his creativity is working with “raw talent and giving it life.” He continues, “I am fortunate to use a medium that speaks to so many. The use of creative lighting and composition, are the portal that gives access to new interpretation.”
“Having garnered recognition from his peers and multiple audiences, Anderson is gearing up to launch Nathaniel Inc. This boutique creative house will enable him to better pursue and explore multidisciplinary projects like developing a television show, writing screenplays, filming short and feature length films along with launching a new furniture line.
Photo: Nathaniel Anderson
Graphic Design: Kurupt
Web Site: www.nathanielinc.com
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Carla
